Wednesday, April 23, 2008

FINAL thoughts







S * n * o * w * m * e * n



One interesting note to note:



As I read the poem, the line that read




“don’t become molt-balls”

I read it to be

“don’t become moth-balls’



A prime forking experience – in that what I have read before, as on the blog referring to Slave Moth, I had subconsciously been thinking about it. It is very interesting to note how our mind makes connections and jumps to conclusions based on assumptions,

1. That we are given
2. Or
3. That we make



The infinitely limitless connections our mind makes (logical or not) is surreal. One wonders how many actually connections are made on falsity. Then if we were to relate this to the number of actual correct observations one were to make in a given day, maybe this could lead to a realistic gauge of to what extent a person ‘lives in his own world’. This is very interesting to think about because your mind actively censors and alters and dynamically molds your perceptions to its liking. In this sense, subconsciously, one’s perception is {regardless of choice} subjective and limited.





Good or Bad? Depends how you look at it.












SUPER glue

Another side to this discussion is how the human eye works in conjunction with our brain.




http://jumbotronics.files.wordpress.com/2007/05/eye1.jpg







MOTION Bllurrrrrrrrrrrrrrrrrr




(From http://www.daniele.ch/school/30vs60/30vs60_3.html)
“One of these tricks is the property of motion blur. We cannot get away from the phenomena because it is so important to the way we perceive the world. In the visual cortex we can theorize the existence of what I call the motion blur filter. Because the eye can only receive so much information, and the visual cortex can only process so much of that, there needs to be a way to properly visualize the world. This is where it gets tough.
Take for example a fast moving object. The faster it goes, the more it blurs (be it a snowflake or a train). Why does this happen? Let's take the example of a snowflake. At any time it has a fixed position in the universe, no matter what speed it goes at (unless it starts to get relativistic, then we go into some strange physics, but something that is not applicable to what we are talking about). Lets say at 5 mph, we see the snowflake in perfect detail as it falls to the ground. Now we hop into a car and go 55 mph. Can we see the detail of the snowflake? No, it is just a streak to us. Has the snowflake changed itself? Of course not. If we had a really fast camera with a fast shutter speed, it would see the snowflake in perfect detail. Now due to the speed in which our eyes/visual cortex can process information, we cannot see the snowflake in detail. A bird such as an eagle would be able to see more detail and not so much of a streak because it only has rods (it is color blind) and the distance from the eyes to its highly specialized visual cortex is 1/16th the distance of ours. This leads to more information being pumped into the visual cortex. So what would look like a streak to us would look like a fast moving snowflake to the eagle.



If we didn't have the ability to produce motion blur, we would see the snowflake pop in and out of existence at high speeds. We would first see it one place, then it would disappear and pop into existence several feet beyond depending on the direction it is going. Is this a good thing? No, we would have a hard time figuring out the direction of the snowflake and have many problems with perceiving movement in three dimensional spaces. With motion blur we get the impression of continuity where our hardware cannot distinguish fine detail while the object is moving at high speeds.”





This seems fascinating to me. Our visual cortex actually ‘glues’ together images and dynamically strings the images together. UNREAL!




Snowmen

While I have made snowmen, and put them in immature and amusing positions (acts), I have never thought about the implications. Every snowman which I have considered to be beautiful has been symmetrical. Not only at the macro level, and the micro level. The snow had to be just right and consistent across the timescale of the project. This further implies that there was symmetry in the physical and chemical bonds between the hydrogen molecules in h20 molecule. AMAZING!


Also it interesting to think about the impactions of the statement:
“human-built extension of humanity decidedly articulated with brevity in those areas associated with temperature fluctuations that hit and/or exceed a melt point (consistent with prevailing situations)”






What extensions would be rendered extinct with every level of temperature variation?
(Think- 1. People in Alaska/Hawaii and 2. Hobbies.)












O THE CONNECTIONS!

After reading about Zeno’s paradoxes – I cannot help but to think about my previous post (Snowmen). I veered off on the fork which dealt which the mind and the visual cortex with its amazing superglue powers.


Think about his final paradox. The arrow in flight, and how it cannot actually be moving, rather simply be in different points of space (x, y, z) with respect to time (t) – the fourth and final dimension, if you will. It seems our forks have been temporarily aligned in the infinite possibilities of forks (that in itself is quite improbable). The visual cortex makes us perceive this to be possible. Mathematically it may be quite improbable, but nature [evolution] has overcome (yet again), and once again proved to be ingenious.

( sidenote –



As I write this blog,
I’m sitting here in the fishbowl,
and look over and see this kid studying for a calculus final
my thoughts wonder…
I would like to be studying calculus.


No offense to this course,

But my brain thoroughly enjoys finite-ness. )




Reading, taking in, analyzing these poems is an experience. Tainted with a task, I feel as if I approach the poems differently, and thus, I clear my head of such objective, and experience the poem as the author intended: as a form of expression, artistic.




One poem in particular strikes me.
Sujata Bhatt - Search for my tongue
Maybe because I am Indian. Maybe it’s because I can read a little bit of the language – I am not sure if it is Sanskrit or Hindi. I was actually taught to read/write/speak from my parents, and enjoy trying my hand at first-hand interpretations [again which are influenced by our past forks and our mind).



My father and I frequently have discussions (mostly 1 sided- think about that surface (1 side…a plane? No – planes can have 2 sides? 1 side is mathematically impossible…where did that expression come about?) about this issue of losing our mother tongue.



Indians by nature have very strong cultural roots – different from Americans. Hinduism is more than a religion – it’s a culture. As first generation immigrants, my parents wish to pass on cultures and traditions to us (first generation children).



This poem and its surface – a section of translated text, and then the actual Indian language and pronunciation) is unique. [Unique in the sense that it allows interaction with the original text itself – the original ideas – the original thoughts] In the meanwhile however, it allows a suggestive interpretation. If I were to read the poem different ways, I could derive different meanings from it.



It is imperative to explore these different fork-worlds; all are valid, all are real. The mind makes it real. (Full-circle to Zeno!)



(Also a side note about blogspot – The image upload function is super annoying, and you can’t really customize the experience).





Symmetry Hunting



Symmetry and opposites and opposites as a force of symmetry --
Symmetry is inherent in every facet of the known universe. It provides not only structural integrity, it provides aesthetic value. For some reason, our brains like patterns. We are attracted to them. They are beautiful. The body itself is symmetric – from the initial embryo and blastula state, to the full grown adult state, we are symmetric. Our brains are symmetric – left hemisphere and right hemisphere. Its actually quite fascinating, to the point where one could easily be obsessed with finding the universes infinite symmetries. For some reason, one that pops into my mind is the black hole – perfect conical helix!





http://upload.wikimedia.org/wikipedia/commons/c/cd/Black_Hole_Milkyway.jpg




As for opposites – they are symmetric. Light and dark. They structure provides the dichotomy which gives rise to the symmetry. It’s cool to think that you need one for the other – ying and yang if you will. Everything has it. So in essence, one could make the argument, everything has some plane of symmetry – you just have to look hard enough.



I am thinking of the painting which has birds in white and black, and the negative space also creates an image – however, I can’t think of the name, so I can’t locate the picture online.


Also – fractals are not only an aestethic ‘obra de arte’, but are functional tools in everyday life [and the formation of]. It is also the basis for most {if not all} models trying to estimate volume, surface area, or any calculus really.





http://en.wikipedia.org/wiki/Fractal




Looking at the two pictures in the post (from Van Gogh), and relating them to the pictures in Supervision, they are high symeetrical – in that they show similar characteristics. There exists a certain symmetry which can match up the painting, and on some level, merge them.
As for the play (Samuel Beckett), one word some up: allness (everything sums everything up). This was the first word which struck me as soon as I watched the clip, and I let my mind run with this notion. There exists a pattern to the ladies, and this pattern can be considered the symmetry. However, I do not I would consider this symmetry outside the realm of forking. It was a cool experience though. Again, when I considered my task, I decided to first not concentrate on it, and just experience ‘feel’ the video for what is was made for.




Finding symmetry in the poems in our books proved to be very easy. Me and Dmitri had a conversation about this task and its forking implications. We concluded that pretty much everything could have symmetry. Even if I picked a random poem from both books, I would be able to locate symtetty @ SOME LEVEL. We came up with Accidental Culture and Letter to Her Brother. The symmetry occurs with the connection to Arab culture, and the proximity of death …(metaphorical entity). CooL!




On another note: FIRST GARAGE BAND COMPLILATION!!



http://www.youtube.com/watch?v=p5js0hzNFo4







frame style: preparing to expect the unexpected



This was an interesting experiment. For my MRI project, I was going to pick six images which could somehow tie into the project and provide certain motifs which I wanted to represent throughout the virtual ‘thought experiment’.



The problem with this however, was that I wanted to pick the images on a later date when I actually came to the juncture of putting the project together in FLASH. However, this never came – I did not have enough experience with the program to use it by myself, and after asking around at the 3D lab, I was out of luck. This made me extremely upset, because all of this work had gone into this project. I wish I had recorded the dozens of conversations I had with Professor Smith and Professor Moss. These conversations would have nicely shown the evolution(S) of my project and the final streams of thought which had morphed from the amorphous blob of my ideas.



So instead, I decided to pick six images which struck me and were aligned with my project.

They are: ON THE TOP OF THE POST!









These are all symmetrical ON SOME LEVEL {macro or MICRO}. There are huge connections which I can make from all of these images. I presented many of these our final class presentations.




Re:Beads

Beads are a magnificent way of linking things. When I was thinking about the notes as beads, it was really interesting because I had this thought: what if {actual} beads made music, and depending on the way you intertwined the beads with themselves or even other sets of beads, you would get different end products of music! HOW COOL! This would be a great game. As I think about the obvious connects of beads, they become less interesting.









THINK OUTSIDE THE BOX! FORK FORK FORK.





I love JAzZ. Its such a soothing sound.









PROJECT transforms AND “other ways to see it”



Brian Dettmer – what an AMAZING idea. I simply love it. I would love to see it in person though. It’s cool how many ways there are to dissect a book. It would be a cool experiment to see what different people create from the same books.



This blog is (for some reason) much more interesting for me than the other have been so far. I was thoroughly engaged in this and enjoyed it.



For years now, I have subscribed to the magazine Popular Science. I very much enjoy reading about current events in science and cool projects to do. As I have said multiple times, I am a HANDS on PERSON. So as I was exploring the posts about last minute projects, just for things to during summer, I stumbled across THIS:


http://www.popsci.com/diy/article/2008-03/build-it-smart-ambient-led


I started jumping up and down in the fishbowl. This combines both my love of science, as well as my using my hands for a beautiful final result. As I was still super upset about the FLASH incident, I decided to change venues. (so started a new fork!)




By the way, I wanted to include a sample of the written notes and documentation of the MRI project and my original project dealing with images here:




















NOW ON TO THE NEW FORK! I was super excited to get on this project right away. I started making drawings and potential ideas. I also thought, what a great way to link the 6 images into my project.



As I started to grow on this idea, I was reading about the sound generator from skyfell.org. BAM! Another idea….





PERCEPTION! And how it relates to the BRAIN.



So this was the final project idea. I would put a random timer on the LED’s inside the cube. Each picture would be in black and white, but would be lit up different c0l0rs depending on the color of the LED. Color has so much to do with human perception. It can severely alter what we are seeing/feeling/thinking. Along with this, I would set up the display with the portable boombox playing the sound files created from the images! This would also alter the environment, and thus the perception of these images. I wonder what people will say? Think? What connections will be made?

I picked my images because of their relation to the brain and how science eventually one day will mirror nature’s intracies.


TOO EXCITED!!!!!!!!!













FINAL PROJECT

Many things went into this project. I was able to use my hands and my brain doing all the math calculations. I forgot the joys of geometry! I have made the cube and now it is mooding my room quite nicely. Some of the progress can be seen with the pictures:









BUT I want to leave you {physically} unobstructed to give comments on the final DIGITAL VERSION.

I LEAVE you with one final question: Is the mood cube reading your mood or dictating your mood?


http://youtube.com/watch?v=iBD6xjafZAw


PS. there are many things which I haven't included in this blog because i felt as if they would be taken out of context (wouldn't make sense...) I am referring to things I have done over the semester. Most / if not ALL - of these things, I have told you about anyway!

1 comment:

forker girl said...

It is fascinating the role that motion blur plays in allowing us to perceive continuity

which perhaps is helped into preference by this being consistent with what is now an expectation of visual processing,

this is a normal;

this is a contribution to configurations of realities
with which we are comfortable

although we have knowledge of visual processing that is different for other eye system structures.

How different images of the universe become, how revelatory of other structures requiring infrared and X-ray processing.

The alternative to motion blur as glue (so nice --this apparent default visualizing of continuity for humans within a system of thinking --LFT-- that seeks extensions through pattern building, connections, treating these associations,
these fleeting, moving associations as a form of continuity: oh, a nature of reality);

the alternative in which:
We would first see it one place, then it would disappear and pop into existence several feet beyond depending on the direction it is going. Is this a good thing? No, we would have a hard time figuring out the direction of the snowflake and have many problems with perceiving movement in three dimensional spaces. With motion blur we get the impression of continuity where our hardware cannot distinguish fine detail while the object is moving at high speeds

I am interested in that reality;
I wonder what kind of societies would have been built?

Could there be benefits to thought experiments in which alternative visual processing becomes the default human experience

--especially since human visual processing is not the only possible visual processing.

I am reminded of what sometimes occurs when my neurological disorder affects my eyes

in particular a summer of altered vision in which I had a loss of depth perception, and I was in my own flatland, landscapes intermittently striped with gray bands of nothing but the gray.

This visual disturbance is interesting to me for its transient appearance, and for many years, no reoccurrence, allowing more room for aesthetic filters, the poetry of flat sloping areas, inabilities to place objects on a table or to pick them up, peculiar angles, my sensation of being three dimensional out of sync with where I tried to be, popping up out of locations into which I could not fold myself

--incredibly disorienting yet via metaphors and other intellectual extending, a consideration of what attempts to access regions of more complex or simpler dimensionality could be like.

I wish I'd attempted to make snow people under those visual conditions.

Indeed; poetry can be useful in reminding us that that which has been deemed finite has been deemed so as an outcome of interpretation,

interpretation that can be duplicated

unlike most interpretative events in LFT where interactions interfere with repetition of experiments, where the mind is allowed to intercede, where imagination is considered to as real as other things, the realities constructed differently, but real,

produced by a finite brain --wow.

(--as real as a one-sided, singlr boundary Möbius strip)